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In the first five short articles in a ten-part series, Wolfe uses photographs of his native Seattle to illustrate points of context, focus and catalysts for today’s urban issues and debates, all summarized in the working term, "juxtapositions". They are often in plain sight, he notes, in familiar patterns of overlap and/or interdisciplinary layers:
Look at a juxtaposition—and see confronting dilemmas, flashpoints and ripples in time—all of which are recognizable in the faces, spaces and places of everyday life.
Rather than a static view, he stresses, for example, the interactivity of adjacent new and old construction, contrasting forms of light and blended land, water and natural environments. He shows visible reflections of regulatory process in human behavior. He repeats the path-crossing aspects of street corners and sit-able places.
He summarizes the importance of such urban juxtapositions in the introductory article:
These overlays align us towards discussion of sudden and gradual change, generational differences, public and private preferences, merger of cultures and business types, and mixing of land uses, transportation modes, and housing approaches. They are more than transitions, but focal points for who decides the urban agenda and who gets versus who pays. Accordingly, they drive urban politics and professional services—and we should know how to recognize and work with them...
Wolfe's pragmatic tone combines with the importance of observing human behavior in the spirit of William H. Whyte, Jan Gehl and others. In the fifth article he illustrates how a corner street performer inherently knows the stages and windows and observation points of urban life—the entry points to everything from transportation modes to safety at night—and that knowledge is captured in accompanying photographs.
Why observe in the ways Wolfe suggests?
In such imagery we can predict policy debates, neighbor opposition, conflicts of parent and child in a way that can inspire dialogue, a search for consensus, or outright conflict and confusion.
For all articles in the series, click here.