Today's suburbs have discarded the human-scaled patterns they once promised. This newly resurfaced series of paintings from Atlanta artist Meg Aubrey will leave you longing for the world we neglected to build.
"Taking shots at the suburbs is like playing bass in a garage band: Easy to do, but hard to do well. After all, their original intent — an idyllic melding of town and country, with all the advantages of both — implied a tranquil, family-friendly promise that, over time, has proven notoriously unfulfilled. Surely that’s a subject worthy of more than just another McMansion joke," says Scott Doyon.
"The last time I considered this issue I was writing about Arcade Fire’s “The Suburbs,” a poignant reflection from someone raised there now confronting the reality of mourning its loss. Not, as I said then, in a nostalgic way that denies the suburbs’ ultimate failings but in a way that honors their original goal: creating a place where people could live, thrive and be happy."
"Today I turn from ear to eye candy with artist Meg Aubrey’s recently resurfaced I Just Live Hereseries, now on display in the T-Concourse of Atlanta’s Hartsfield-Jackson International Airport as part of its contemporary Atlanta artists program."
Read the full story: I Just Live Here: Welcome to the suburbs, deconstructed
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