How Christo Unwrapped Municipal Bureaucracy

"Christo's pieces are no mere "public art," like the typical sculpture deposited arbitrarily in the plaza of an office building or the median of a boulevard (often paid for as penance by a developer). And they aren't just place-based. They are based in, and rely upon, specific places that are unique and irreplaceable. And they don't just occupy those places. They borrow those places. They use and transform them, and then they give them back."

"These are questions most artists (like most people) deliberately avoid. Art is the opposite of bureaucracy. Artists retreat to their studios to avoid tedious questions such as these. But Christo embraced the tedium. He met it head-on, and he figured out how to triumph over it (and even Triomphe over it). He did so because, in addition to clearly loving the sport of it, he knew that the result would be worthwhile."