The Deep Internal Conflict of Urban Planning

No, seriously. As I keep getting into arguments with urban planners about community involvement (they're in favor of it) and bitching about marquee architetecture (and marquee architects) someone else voiced my inner conflict before I got to a keyboard. Here's Robert McDonald on the Urban Cartography blog: MIT's new Stata Center lurches impressively over Vassar Street, a mélange of surfaces and cylinders intersecting at odd angles. Designed by Frank Gehry, it's seen as the pinnacle of hip, postmodern architecture in Boston (which ain't saying much), and supposedly is surprisingly functional inside despite its odd form. I therefore feel decidedly square saying it but I must: I think it's rather ugly. More than anything, its ornamentation seems ostentatious to me, arbitrary, like a sculpture pretending to be a building. Part of me still believes in that mantra of modernist architecture, form follows function. Politically and spiritually, this at least seems like an honest goal, far more than mere irony and whimsy. Yet as I've been reviewing the works of Mumford and Kunstler, I've been realizing how much of modern architecture and modern town planning has been a disaster. Often the scale of the projects has been all wrong, and the projects have not really been focused on human needs at all. There's typically no respect for public space, no creation of places for human interactions. And they are often just plain ugly, all gray concrete and blacktop, which on our New England winters gets pockmarked with salt stains. And so I've been struggling between these two parts of myself. I want architecture and urban planning to reflect some of the honesty of modernism, and yet I want beauty and even a bit of whimsy and ornamentation. It strikes me that both post-modernism and modernism have same fault, at least as they are often practiced: An utter lack of interest in what the users of the space want, and what will seem beautiful in the context of its surroundings. Form does not follow the true, human function of the building but instead a perverted function set by someone other than the users. For modern architecture, it became cheapness of construction; for post-modern architecture, it has become hip irony; for urban planners, it became moving cars efficiently. The solution, in my humble opinion (as an ecologist who is admittedly not trained in architecture), is not to abandon "form follows function” but to make sure society gets the function it wants.

2 minute read

January 28, 2006, 10:25 PM PST

By Anonymous


No, seriously. As I keep getting into arguments with urban planners about community involvement (they're in favor of it) and bitching about marquee architetecture (and marquee architects) someone else voiced my inner conflict before I got to a keyboard. Here's Robert McDonald on the Urban Cartography blog:


MIT's new Stata Center lurches impressively over Vassar Street, a mélange of surfaces and cylinders intersecting at odd angles. Designed by Frank Gehry, it's seen as the pinnacle of hip, postmodern architecture in Boston (which ain't saying much), and supposedly is surprisingly functional inside despite its odd form. I therefore feel decidedly square saying it but I must: I think it's rather ugly. More than anything, its ornamentation seems ostentatious to me, arbitrary, like a sculpture pretending to be a building. Part of me still believes in that mantra of modernist architecture, form follows function. Politically and spiritually, this at least seems like an honest goal, far more than mere irony and whimsy.



Yet as I've been reviewing the works of Mumford and Kunstler, I've been realizing how much of modern architecture and modern town planning has been a disaster. Often the scale of the projects has been all wrong, and the projects have not really been focused on human needs at all. There's typically no respect for public space, no creation of places for human interactions. And they are often just plain ugly, all gray concrete and blacktop, which on our New England winters gets pockmarked with salt stains.



And so I've been struggling between these two parts of myself. I want architecture and urban planning to reflect some of the honesty of modernism, and yet I want beauty and even a bit of whimsy and ornamentation. It strikes me that both post-modernism and modernism have same fault, at least as they are often practiced: An utter lack of interest in what the users of the space want, and what will seem beautiful in the context of its surroundings. Form does not follow the true, human function of the building but instead a perverted function set by someone other than the users. For modern architecture, it became cheapness of construction; for post-modern architecture, it has become hip irony; for urban planners, it became moving cars efficiently. The solution, in my humble opinion (as an ecologist who is admittedly not trained in architecture), is not to abandon "form follows function” but to make sure society gets the function it wants.





I probably would have said all that eventually.



Here's the trick, folks: What do we do when the cities people want are not the cities people need?



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I love the variety of courses, many practical, and all richly illustrated. They have inspired many ideas that I've applied in practice, and in my own teaching. Mary G., Urban Planner

I love the variety of courses, many practical, and all richly illustrated. They have inspired many ideas that I've applied in practice, and in my own teaching.

Mary G., Urban Planner

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