In his latest film, “Her,” Spike Jonze presents a one-of-a-kind vision of L.A.'s future.
Unlike other filmmakers, Jonze neither indulges in what one music critic has coined “Retromania,” nor does he imagine a uniformly dystopian or utopian future. Instead, writes Christopher Hawthorne, he finds a thought-provoking middle ground.
Jonze drew on two sources to create the Los Angeles seen in “Her”: first, he digitally altered the city’s existing skyline, with input from architect Elizabeth Diller. Second, he shot more than a few scenes in Shanghai.
“Filming in Shangai . . . allows him to capture something significant about the character, and the anxieties, of contemporary L.A.,” Hawthorne writes. “This is a city caught in limbo between two very different kinds of urbanism: between its private and car-dominated past and denser, more public and more connected future.”
FULL STORY: Spike Jonze's 'Her' a refreshingly original take on a future L.A.

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Planetizen Federal Action Tracker
A weekly monitor of how Trump’s orders and actions are impacting planners and planning in America.

Ken Jennings Launches Transit Web Series
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Congress Moves to End Reconnecting Communities and Related Grants
The House Transportation and Infrastructure Committee moved to rescind funding for the Neighborhood Equity and Access program, which funds highway removals, freeway caps, transit projects, pedestrian infrastructure, and more.

From Throughway to Public Space: Taking Back the American Street
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