Inception Portrays Architecture As Fantasy
With the exception of Charles Bronson’s architect-turned-vigilante in Death Wish, "to be an architect in a Hollywood film is to inform the audience of certain characteristics: sensitivity, vulnerability and an innate romanticism."
Inception portrays a new architect, the young Ariadne, whose modernist sensibilities drive her to recreate downtown Los Angeles and a "filmic hybrid of New York and Brasilia," like a female LeCorbusier with Intel-powered CGI at her disposal.
Ultimately, the main character and his wife live in "a skyscraper city not because they believably want to, but because it was the most visually arresting landscape for the CGI artists to render as a ruin later in the film," writes James Benedict Brown.
Published on Saturday, July 31, 2010 in
- Portland's Long-Term Transportation Plans Include a Downtown Subway
- Mapping the Tools of Discrimination
- Is This Really Penn Station?
- Overcoming Density Opponents by Listening to Them
- It's Too Hot to Fly in Phoenix Today
- The Affordable Rental Housing Crisis Is Only Getting Worse
- Surveying the Suburban Office Market
- No Cars Allowed on Portland's New Street
- A Rap Song About Bike Safety? Yes Please.
- Google to Buy 300 Modular Apartments for Employees
- Invasive Fish Encroaching on the Great Lakes While Army Corps Study Languishes
- Bamboo Regulations Almost as Popular as Bamboo in New Jersey
- Los Angeles Councilmember Chooses the Side of Traffic Safety
- Cap Park Planned for I-579 Near Downtown Pittsburgh
- Will Alaska Return Millions of Dollars for Bike and Pedestrian Projects to the Feds, Again?
- Can Planning Offer a Line of Defense Against Terrorism?
- San Diego, Marin County Heading the Opposite Direction on Housing Policy
- Developers Ready for New Opportunities Along the Chicago River
- Big Piece of Detroit's 'Inner Circle Greenway' Falls Into Place
- Friday Fun: A Mario Kart Tour of Japan
