The Art of Luxury Real Estate

As real estate prices reach stratospheric levels, real estate professionals are banking on the artistic value of the world's trophy properties to explain the surge, reports James B. Stewart.

2 minute read

September 4, 2012, 7:00 AM PDT

By Jonathan Nettler @nettsj


Architectural works have been included in the world's premier art museums for at least 80 years (the founding of the Museum of Modern Art's architecture department), so perhaps it should come as no surprise that the global trade in luxury real estate is being equated with the global art market. With the highest end of the real estate market approaching the values at the same end of the art market, real estate professionals are calling out the comparability. 

"'Art is what people are willing to pay for, and an apartment like this
is like a piece of art,' the Long Island real estate developer Steven Klar told
a colleague of mine at The Times, Alexei Barrionuevo, in late July as
he listed his penthouse on West 56th Street for $100 million," observes Stewart. 

"Kathleen Coumou, senior vice president at Christie's International Real
Estate, said that some residential properties could legitimately be
marketed and sold as art. 'When we call a property art, it tends to have architectural or historic significance,' she said."

Not all are sold on the comparison however. "David Kusin, a former Metropolitan Museum of Art curator who also worked
on Wall Street and now runs Kusin & Company, a consulting firm in
Dallas that specializes in the economics of the art market, told me the
comparison of real estate to fine art infuriated him," writes Stewart. 

"'There's absolutely no statistical validity to it,' he said. 'It's like
comparing Earth to Saturn. And I've been studying these markets for 18
years. I live in a home designed by the dean of Taliesin,' Frank Lloyd
Wright's school of architecture. 'The interior designer and landscape
architect are at the apex of their fields. There is no comparability at
all between the structure I live in and the art that hangs on the
walls.'"

Friday, August 31, 2012 in The New York Times

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I love the variety of courses, many practical, and all richly illustrated. They have inspired many ideas that I've applied in practice, and in my own teaching.

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