I don’t know what it is about New Orleans that makes me wax rhapsodic. But something about the city makes everyday life look poetic. I returned to the Crescent City last week after having last visited just seven months ago, when a tree planting
I don't know what it is about New Orleans that makes me wax rhapsodic. But something about the city makes everyday life look poetic.
I returned to the Crescent City last week after having last visited just seven months ago, when a tree planting I participated in was marred by the tragic shooting of a 21-year-old just around the corner in a neighborhood known as Pigeon Town. I knew I had to go back.
At the time, I predictably waxed rhapsodic about the horrible incident, and tried to reconcile the tragedy with the research and literature suggesting the trees we planted will make the neighborhood safer. And to assuage just a teensy bit of my bougie planner guilt, I pledged to return to visit the last tree that we didn't have time to get in the ground before the shots rang out.
I didn't expect that I'd get to return so soon, but the Big Easy is magnetic like that.
This late-scheduled trip was for the Center for Community Progress' "Reclaiming Vacant Properties" conference, three days of reimagining the acres of abandoned land blanketing America's "legacy cities." (We spent a long while discussing how to define a "legacy city"-one of those wonderful urban planning euphemisms. Hint: If you live in a city that isn't New York, it's probably a legacy city.)
We discussed land banking and economic development, urban agriculture and stormwater management, and then a lot more land banking-seemingly urban planners' vacant land panacea du jour.
Not surprisingly, the conference drew a lot of Detroiters. Apparently the Motor City has a bit of vacant blight to deal with.
I mean the following statement in the most affectionate way possible: If you ever want to feel better about your city, spend an afternoon with someone from Detroit.
I was already pretty impressed with the way that Philly is handling its 40,000 vacant lots. (And I'm damn proud that my employer, the Pennsylvania Horticultural Society, has a lot-no pun intended-to do with that.)
(I'm less proud about that pun.)
My home town has recently created a way to tame the beast of multiple-city-agency ownership by establishing a "front door" that actually, for once, improves the experience of anyone wishing to be a customer of the City of Philadelphia. Revolutionary. And talking at length with a few planners and landscape architects from Detroit-where they're inclined to throw their hands up in surrender to the problem-I realized that Philly's solution starts to look downright elegant.
But that satisfaction can be short-lived. So I swept up a new Detroit landscape architect friend and embarked on my most serious mission for the trip: a return to Pigeon Town.
We walked around the neighborhood a bit before finding the spot, and were floored by how jungle-like much of this still very residential neighborhood was. I'd read about the Lower Ninth Ward being reclaimed by nature, but even in pretty highly elevated Pigeon Town, weeds grew the size of giant palm fronds, and in one house, two pigeons kept watch out of a blown-out window frame (just in case you weren't sure whose neighborhood this was).
We finally came upon the block where we'd planted the trees last year. I immediately saw that the trees looked healthy. They were clearly cared for, and the blocks-including the one where 21-year-old Ray Anthony Maxwell was gunned down on the 30th of November-looked better because of them.
We continued to the end of the block, where I found the tree I'd personally helped plant. It was in the yard of a white house, which I thought at the time was abandoned. Fortunately, I was quite wrong: As we approached, I saw two women sitting and talking on the front porch, as a couple of young children ran around the yard playing. The hose was actively filling up the gator bag, which will slowly water the tree and keep it healthy. The tree was filled with flowers, blooming brighter than any other one on the block.
If a scene like that ain't rhapsody, I don't know what is.

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