Public art plays a role in cities across the world. But what role exactly, and for what purpose? Glass House Conversations explores these questions in this series.
"Often the term Public Art is used interchangeably with Art in Public Spaces – parks, intersections, squares and the like. What is the function of art in these spaces and how does it connect to or serve the Public? Are the commissioners of such art fulfilling a public mandate or need?
Whose or which "Public Interest" is served by Urs Fischer's Untitled (Lamp/Bear) outside the Seagram building on Park Ave, in New York, a version of which will be auctioned by Christie's? A few blocks away, Ai Wei Wei's Circle of Animals/Zodiac Heads was opened with statements from the art world's luminaries, but where is the programming to further their meaning and significance to the public they serve?"
No Longer Empty, which redefines public art through temporary site-specific exhibitions, curates this discussion of public art's role.
Read the full story: What is the function of art in public spaces and how does it connect to or actively serve people?
The Racial Reckoning in Public Spaces
Following George Floyd’s murder in 2020, there was an explosion of anti-racist street art across the country. “When we allow ourselves to release our emotions, oftentimes what is produced out of that is art.”
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The towering ʻUmeke Lāʻau installation by Native Hawaiian artist Meleanna Aluli Meyer, unveiled at Honolulu's city hall, is a powerful symbol of cultural resilience and healing.
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City of Rosemead
Rutgers University, Edward J. Bloustein School of Planning and Public Policy
One Hundred Miles
University of Michigan School for Environment and Sustainability (SEAS)
Hunter College, City University of New York (CUNY)
The Architects Foundation
City of Cambridge
The Pocatello Development Authority
The Urban Renewal Agency of the City of Pocatello