Architecture You Can Dance To

On my way to work this morning, I was listening to an interview with the band Blitzen Trapper on my iPod. They’ve got a beautiful song called ‘Furr’; the sound echoes 1970s folk rock- and roots influences like English folk, country and bluegrass.  Anyway, Eric Early, the main songwriter, got my attention with his answer to this question: INTERVIEWER: Obviously ‘American music’ means different things to different people. What does it mean to you?

3 minute read

June 18, 2009, 4:12 PM PDT

By Tim Halbur


On my way to work this morning, I was listening to an interview with the band Blitzen Trapper on my iPod. They've got a beautiful song called ‘Furr'; the sound echoes 1970s folk rock- and roots influences like English folk, country and bluegrass.  Anyway, Eric Early, the main songwriter, got my attention with his answer to this question:


INTERVIEWER: Obviously ‘American music' means different things to different people. What does it mean to you?




EARLY: I don't know, now I think it sort just means the music that comes out of the environment that we've created. And also I think it comes out of the schism between the environment that we've created, and the environment that was there initially.



One of the things that makes popular music so interesting is the way that it constantly builds on the past to reinvent itself.  Ray Charles famously took gospel music and wedded it to rhythm and blues. The pumping cumbia music of Mexican norteña bands would never have happened if not for Czech and German settlers on the Texas border. And today, a group of producers in Tijuana have combined that same norteña with electronica to create the "Nortec" sound.

Architecture, on the other hand, isn't so good at hybrids, like rock or folk or hip hop. It's more like classical music. The advent of modernism in classical music early in the 20th century created a schism. Dissonance and arrhythmia have dominated the landscape of modern classical music ever since.  Composers who dare to make music that makes reference to the past are usually derided. And so goes architecture.



Our cities and towns are suffering from a schism between the native styles of architecture that made our country unique and a modern style that broke that connection with the "old, weird America", as Greil Marcus put it.  The clean lines of modernism have a tendency to erase our past rather than build upon it, taking our sense of history and place with it.

Modern classical music resembling modern architecture

Modern classical music, with a resemblance to modern architecture.



While I'm not one to reject the modernist style out of hand in architecture (it is responsible for some truly beautiful buildings), it does seem clear that it is not a ‘popular' form.  The audience for modern classical music is small and elite; the same can be said for those who appreciate the rigor of modern architecture, despite the fact that it professes to be a universal, democratic aesthetic.



Meanwhile, many of the attempts to create new versions of American vernacular styles have fallen flat. Particularly in California where the history doesn't run as deep, new buildings engaging with traditional styles are vicitims of too much cost-cutting and cheap imitation in place of true innovation.



So why not? Can we mend the schism between the environment we've created and the environment that was there initially?  Where are the architects with the skill to build upon the styles of the past, and reinvent them with panache? I say, bring back the old, weird America, but make it new again.


Tim Halbur

Tim Halbur is communications director for the Congress for the New Urbanism (CNU), the leading organization promoting walkable, mixed-use neighborhood development, sustainable communities and healthier living conditions. He was managing editor of Planetizen from 2008 to 2011.

portrait of professional woman

I love the variety of courses, many practical, and all richly illustrated. They have inspired many ideas that I've applied in practice, and in my own teaching. Mary G., Urban Planner

I love the variety of courses, many practical, and all richly illustrated. They have inspired many ideas that I've applied in practice, and in my own teaching.

Mary G., Urban Planner

Cover CM Credits, Earn Certificates, Push Your Career Forward

Logo for Planetizen Federal Action Tracker with black and white image of U.S. Capitol with water ripple overlay.

Planetizen Federal Action Tracker

A weekly monitor of how Trump’s orders and actions are impacting planners and planning in America.

July 2, 2025 - Diana Ionescu

Aerial view of town of Wailuku in Maui, Hawaii with mountains in background against cloudy sunset sky.

Maui's Vacation Rental Debate Turns Ugly

Verbal attacks, misinformation campaigns and fistfights plague a high-stakes debate to convert thousands of vacation rentals into long-term housing.

July 1, 2025 - Honolulu Civil Beat

Person wearing mask walking through temporary outdoor dining setup lined with bistro lights at dusk in New York City.

Restaurant Patios Were a Pandemic Win — Why Were They so Hard to Keep?

Social distancing requirements and changes in travel patterns prompted cities to pilot new uses for street and sidewalk space. Then it got complicated.

June 19, 2025 - Diana Ionescu

Aerial view of new neifhborhood under construction with enpty lots in foreground.

In California Battle of Housing vs. Environment, Housing Just Won

A new state law significantly limits the power of CEQA, an environmental review law that served as a powerful tool for blocking new development.

July 2 - CALmatters

Low-rise Pearl Sreet mall in Boulfer, Colorado.

Boulder Eliminates Parking Minimums Citywide

Officials estimate the cost of building a single underground parking space at up to $100,000.

July 2 - Boulder Reporting Lab

Two-story buildings with porches in walkable Florida neighborhood.

Orange County, Florida Adopts Largest US “Sprawl Repair” Code

The ‘Orange Code’ seeks to rectify decades of sprawl-inducing, car-oriented development.

July 2 - CNU Public Square