Searching for Subversion in Boston

I've always wanted, but never quite had the cred, to go to Burning Man. Instead, I went to this year's rendition of National Park(ing) Day in the hopes that it would provide a reasonable, if diminuative, substitute in temporary parks across the country. Creative minds can do a lot with 180 square feet, especially when there are straight-laced passers-by to shock and paradigms to subvert.

3 minute read

September 28, 2008, 12:29 PM PDT

By Josh Stephens @jrstephens310

I've always wanted, but never quite had the cred, to go to Burning Man. Instead, I went to this year's rendition of National Park(ing) Day
in the hopes that it would provide a reasonable, if diminuative, substitute in temporary
parks across the country. Creative minds can do a lot with 180 square
feet, especially when there are straight-laced passers-by to shock and
paradigms to subvert.

National Parking Day was founded not by an urbanist group but
rather by an art collective, and there's something delicious about the marriage of art and asphalt. I imagine that many
of the over 400 events that took place last week (about double that of
last year) included all sorts of crazy stuff, in addition to more
mundane but well meaning patches of sod and picnic chairs. There were
probably DJs, acid trips, and naked fire eaters in San Francisco, where
Rebar founded the first event in 2005, and perhaps equal measures of whimsy took place at the two-dozen events in Los Angeles and New York (which is, as we know, the capital of the creative economy).

(For my part, I imagined realizing a tiny version of Futurist Vladimir
Tatlin's unbuilt Monument to the Third International in front of a Starbucks.)

I am, however, on sabattical from Los Angeles and am instead living in Boston now, and it turned out that,
despite its historic, pedestrian-friendly streetscape, the nation's tenth-largest
metro area had all of one Parking Day event. The venerable Trust for
Public Land helped coordinate the national Parking Day effort with a
list of cities and a handy map, and they were the official sponsor of
Boston's site, strategically located in front of what is generally
considered one of the most atrocious public spaces in all the United
States: Boston City Hall and its plaza, which is the most dehumanizing
expanse of pavement I've seen since Tienamen Square.

TPL does fantastic work, and their goals align nicely with Parking Day. I couldn't help feeling, however,
that their rendition in Boston was a bit too corporate. TPL saw fit to get permits and official police barriers
as would any regular group of demonstrators outside of City Hall, which
is all well and good. Their name is on the event, and they need to keep
the city happy (even while implicitly pointing out its shortcomings).But for most of the time I was there, the participants -- a pleasant bunch of students and urbanists -- outnumbered the onlookers. A scene, it was not.

The beauty of
reclaiming ugly spaces, or any public space, is that it doesn't have to be sanctioned, nor
should it priviledge only one kind of use. For the right number of
quarters, any citizen can lay claim to those 180 square feet -- for a
car, a park, or anything else -- without adhering to convention. To get Bostonians -- or most people, for that matter -- to
understand the potential to reclaim, redesign, and repurpose the urban
landscape into something a little more human is going to require
something a bit more revolutionary than sod, potted plants, and swapped
stories of compost and grad school.

A more appealing urban fabric might not be sort of future that
Vladimir Tatlin had in mind, but it may yet require a revolution.

Parks Open Space Art parking day

Josh Stephens

Josh Stephens is the former editor of, and current contributing editor to, the California Planning & Development Report, the state's leading publication covering urban planning. Josh formerly edited The Planning Report and the Metro Investment Report, monthly publications covering, respectively, land use and infrastructure in Southern California.

I love the variety of courses, many practical, and all richly illustrated. They have inspired many ideas that I've applied in practice, and in my own teaching. Mary G., Urban Planner

I love the variety of courses, many practical, and all richly illustrated. They have inspired many ideas that I've applied in practice, and in my own teaching.

Mary G., Urban Planner

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