Creative Class

'Culture Crash: The Killing of the Creative Class' by Scott Timberg argues that cities must defend and support local culture in the face of the homogenizing effects of the creative class. Exclusive
Jan 12, 2015  By Josh Stephens
Scott Timburg labels Richard Florida overly optimistic and blames the media for not portraying the 'fading creative class,' because their recession pain has not been sufficiently dramatic.
Oct 6, 2011   The Atlantic
Richard Florida ranks countries based on the proportion of workers in the 'creative class.' He ranks the U.S. 27th in the world, trailing a top ten including Singapore, the Netherlands, Australia, Germany and Switzerland.
Oct 5, 2011   The Atlantic Cities
Mera Rubell, one of America's premier art collectors, explains to Richard Florida why she loves collecting her art in Miami, and which is the best American City for artists.
Oct 5, 2011   The Atlantic
In USA Today, Florida picks 10 neighborhoods that give a "slice of local urban life," ranging from Miami's Wynwood and Design District to Fort Worth, Texas' West 7th community.
Aug 20, 2011   USA Today
With digital cinematography replacing location shooting and huge soundstages, the entertainment industry is becoming a lucrative, sought-after tenant in downtowns and urban areas.
Aug 8, 2011   Urban Land
Young creative people are moving to Detroit, launching new businesses and civic ventures that are creating a new identity for a city plagued by associations with decline.
Jul 7, 2011   The New York Times
Tom Vanderbilt argues that manufacturing will never disappear from our cities, because the creative class will always seek small-scale industry to make their ideas a reality.
Apr 13, 2011   The Wilson Quarterly
Artists tend to flock to big cities where their art can be bought and appreciated, but economic hard times are sending artists fleeing towards cheaper rents on homes and studio space.
Feb 1, 2011   Utne Reader
Artists are flocking to a town in Turkey that promises "authentic village life." The architect behind the plan says that the project has attracted creatives who "miss natural and pure human relations."
Dec 22, 2010   Daily News & Economic Review
Thomas Sevcik says that hoping for an economic benefit by attracting the creative class and artists is a wrongheaded strategy.
Dec 17, 2010   Urban Omnibus