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Creative Class

Richard Florida discusses a study comparing the neighborhoods that house "creative" industries. Science and tech tends to favor low-density office parks, while arts and cultural industries prefer mixed-use urban districts.
May 19, 2015   CityLab
Recent exultant headlines about downtown's astounding growth overlook Chicago's troubling bifurcation into two cities — "one where optimism abounds, one where hope and opportunity are hard to find," writes Marilyn Katz.
Mar 14, 2013   Chicago Tribune
Annie Lowrey looks at how the taxpayer funded expansion of private contracting for the federal government turned D.C. from "national embarrassment" to creative class hot spot, and why those boom days may be coming to an end.
Jan 14, 2013   The New York Times
Richey Piiparinen explores the "original sin" of the quest for urban “livability” - economic development - and examines what the pitfalls are when cities are designed for high-valued consumers rather than people.
Jan 3, 2013   New Geography
Richard Florida warns about America's increasing “economic Balkanization”: a shrinking working class and the attendant swelling of low-wage service sector employees and the unemployed on the one hand, and the prosperous creative class on the other.
Oct 31, 2012   The Atlantic Cities
Richard Florida discusses why "quality of place", rather than job opportunity, is the determining factor in where creative-minded people choose to live.
Oct 16, 2012   Urban Land Magazine
Lively walkable streets teeming with tourists bouncing between unique stores make Savannah's downtown the envy of many cities. But this state of affairs hasn't always been the case. Greg Bluestein looks at the secrets to Savannah's success.
Oct 14, 2012   The Atlanta Journal-Constitution
Richey Piiparinen discusses the "Frankenstein effects" of place-making, in which, he argues, the diversity of people and place that attracts the creative class is eventually forced out by those in search of the "highest and best use."
Sep 4, 2012   New Geography
In an indication that the "creative class" era may have finally jumped the shark, the city of Miami is reveling in the arrival of Richard Florida <em>himself</em> as a sign of the area's arrival as a "Creative City."
Aug 20, 2012   The Miami Herald
Emily Badger explains how a Minneapolis-based non-profit organization is working to break the cycle of gentrification within artist communities by helping to create and preserve affordable space for artists and arts organizations.
Aug 17, 2012   Fast Company
The 10th anniversary and updating of Richard Florida's "Rise of the Creative Class" has brought about a re-evaluation of "creative class" urbanism. Will Doig surveys a series of popular essays that question Florida's highly influential arguments.
Jul 20, 2012   Salon