In reflecting on his recent trip to Japan and future efforts to memorialize the 19,000 who perished as a result of last year's earthquake and tsunami, Hawthorne ruminates on recent memorializing processes in the United States - at the World Trade Center, to Martin Luther King Jr., and to President Eisenhower - and sees an opportunity, and need, to rethink the processes and products of memorial design.
For Hawthorne, a visit to a giant red fish-oil tank, mangled by the tsunami and sitting in a median in Ishinomaki, Japan, that he describes as an "odd piece of apocalyptic detritus", provides a potent symbol of the disaster.
It reflecting on "how overpriced and underwhelming so many traditional memorials have turned out to be in recent years," Hawthorne finds inspiration from his Japanese experience. "By contrast, the mangled red can in Ishinomaki eludes both bombast and easy readings. The way it manages to suggest two very different scales simultaneously - the quotidian scale of the supermarket shelf and the stunning strength of the tsunami - gives it some Pop art shadings and makes it even more artistically meaningful than, say, the twisted steel beams from the World Trade Center that will go on display at the Sept. 11 museum."
Also of note, on the subject of memorials, is a report by Philip Kennicott in The Washington Post on yesterday's congressional hearing on Gehry's Eisenhower Memorial design. At the hearing, Susan Eisenhower, granddaughter to the President, and representing the family, called for scrapping the current design, which she comapred to, "Communist-era decorations that honored 'Marx, Engels and Lenin.' She likened large columns that will be used to hang the metal scrims to 'missile silos,' mentioned Ho Chi Minh and Mao, and argued that Holocaust survivors were affronted by the similarity of the tapestries to the fences of Adolf Hitler's death camps."
According to Kennicott, "It's not clear whether Congress will reopen the [memorial design] process, especially given that eight of the Memorial Commission's 12 members serve in Congress. And while there has been growing momentum for revisiting the Gehry design among traditionalists and culture warriors, concern about the design hasn't coalesced into a coherent critique."